Dirty Work

Slick, good-looking and utterly empty, Steven Zaillian’s vision of fascism come to America is laughable as politics and incoherent as cinema

Never a big fan of the late Stanley Kubrick’s, I went to see Eyes Wide Shut with no very great expectations. As in so many of Kubrick’s films, the cineaste predominates over the dramatist or the moralist. He is one of those directors — Bertolucci is another — whose approach to the movies is what…

. . .And, speaking of propaganda, there can be few more spectacular recent examples of the same than Ridley Scott’s G.I. Jane. Here is a film which has no single bit of characterization or plotting or dialogue which is not designed solely to persuade us that putting women into combat is right and reasonable and…

Still Crazy, directed by Brian Gibson from a script by Dick Clement and Ian La Frenais, also the writers of The Commitments, does about as good a job as it is possible to do with such predictable material as the reunion twenty years later of an aging 70s pop group. The recent Velvet Goldmine dealt…

There is scarcely a cliché of the 1990s Hollywood thriller that is not to be found in Switchback, written and directed by Jeb Stuart. By now, the figure of the serial killer — so rare in nature, so common in the movies — has become such a familiar one that a filmmaker like Stuart will…

Like other sorts of horror movies, The Stepford Wives, has now gone postmodern and ironic, for who today is terrified of being forced to be a housewife?