Because I Said So

Tomorrow Never Dies, directed by Roger Spottiswoode is the latest in the seemingly endless chain of James Bond films. It is a disappointment. One of the few pleasures that conservatives could take in the Hollywood product of the late Cold War — that is watching an unashamed cold warrior fighting the commies for the good…

It’s nice to know, as I’m sure I’ve said before, that somewhere in the world life on celluloid is still an earnest business and not a sly, postmodern in-joke as it has so largely become in the pampered West. You might have to go to China, however, still not recovered from nearly 50 years of…

How Stella Got Her Groove Back, directed by Kevin Rodney Sullivan from a screenplay by Terry McMillan and Ron Bass from Miss McMillan’s novel, is a middle-aged woman’s wish-fulfilment fantasy and, unfortunately, little else. I thought at least it might be amusingly bad, but it doesn’t even reach as high as that. Angela Bassett stars…

Albert Brooks, more than any other Hollywood writer/director, is able to write satirically about Hollywood without at the same time succumbing to the charm of its own outrageousness. In The Muse he has had the particularly clever idea of casting Sharon Stone, Hollywood’s premiere sex symbol of the moment, as a sexless “Muse” (“All the…

A sharply-observed and powerful tragi-comedy set in the streets of Beijing is at least the equal of its Italian neo-realist model.

The People vs. Larry Flynt is one of Hollywood’s more typical propaganda films—which is to say one which makes it too easy on itself. Unlike, say, Dead Man Walking, which was a very untypical propaganda film, it does not play straight with us. It stacks the deck in favor of its hero, Larry Flynt (Woody…