Letters from Iwo Jima
[See “Eastwoodian Aftermaths,” The American Spectator, February, 2007 under “Articles”]
Discover more from James Bowman
Subscribe to get the latest posts to your email.
[See “Eastwoodian Aftermaths,” The American Spectator, February, 2007 under “Articles”]
Subscribe to get the latest posts to your email.
A weird and often amusing philosophical movie by the screenwriter of Being John Malkovich and Eternal Sunshine of the Spotless Mind, only not quite so good as those movies
The 12 year-old eponymous hero of Stephen Daldry’s Billy Elliot, played by Jamie Bell, is made to say more than once that “just ‘cause I like ballet it doesn’t mean I’m a poof.” Sounds reasonable to me. But the film itself has a different story to tell. Both the introduction of Billy’s cross-dressing schoolboy friend,…
A movie better avoided by anyone with any taste is nevertheless extremely funny — and it has something serious to say
A not-so rollicking comedy about infidelity and divorce? What’s wrong with this picture?
It is not a particularly original or even, necessarily, interesting observation that marriage, like other symbiotic relationships, is often a matter of complementary pathologies. Or what would be pathologies if they were found in an individual. Benoit Jacquot (A Single Girl, The Disenchanted) has given us a portrait of such a marriage—and not much hope…
In spite of all the publicity, Red Corner is rather a roundabout apology for than a criticism of the Red Chinese regime. Richard Gere may be personally hostile to the Chinese gerontocracy, but the movie he wishes to showcase his opposition takes its politics in a depressingly familiar direction which leaves Jiang Zemin and his…
A weird and often amusing philosophical movie by the screenwriter of Being John Malkovich and Eternal Sunshine of the Spotless Mind, only not quite so good as those movies
The 12 year-old eponymous hero of Stephen Daldry’s Billy Elliot, played by Jamie Bell, is made to say more than once that “just ‘cause I like ballet it doesn’t mean I’m a poof.” Sounds reasonable to me. But the film itself has a different story to tell. Both the introduction of Billy’s cross-dressing schoolboy friend,…
A movie better avoided by anyone with any taste is nevertheless extremely funny — and it has something serious to say
A not-so rollicking comedy about infidelity and divorce? What’s wrong with this picture?
It is not a particularly original or even, necessarily, interesting observation that marriage, like other symbiotic relationships, is often a matter of complementary pathologies. Or what would be pathologies if they were found in an individual. Benoit Jacquot (A Single Girl, The Disenchanted) has given us a portrait of such a marriage—and not much hope…
In spite of all the publicity, Red Corner is rather a roundabout apology for than a criticism of the Red Chinese regime. Richard Gere may be personally hostile to the Chinese gerontocracy, but the movie he wishes to showcase his opposition takes its politics in a depressingly familiar direction which leaves Jiang Zemin and his…
A weird and often amusing philosophical movie by the screenwriter of Being John Malkovich and Eternal Sunshine of the Spotless Mind, only not quite so good as those movies
The 12 year-old eponymous hero of Stephen Daldry’s Billy Elliot, played by Jamie Bell, is made to say more than once that “just ‘cause I like ballet it doesn’t mean I’m a poof.” Sounds reasonable to me. But the film itself has a different story to tell. Both the introduction of Billy’s cross-dressing schoolboy friend,…
A movie better avoided by anyone with any taste is nevertheless extremely funny — and it has something serious to say
A not-so rollicking comedy about infidelity and divorce? What’s wrong with this picture?
It is not a particularly original or even, necessarily, interesting observation that marriage, like other symbiotic relationships, is often a matter of complementary pathologies. Or what would be pathologies if they were found in an individual. Benoit Jacquot (A Single Girl, The Disenchanted) has given us a portrait of such a marriage—and not much hope…
In spite of all the publicity, Red Corner is rather a roundabout apology for than a criticism of the Red Chinese regime. Richard Gere may be personally hostile to the Chinese gerontocracy, but the movie he wishes to showcase his opposition takes its politics in a depressingly familiar direction which leaves Jiang Zemin and his…