Letters from Iwo Jima
[See “Eastwoodian Aftermaths,” The American Spectator, February, 2007 under “Articles”]
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[See “Eastwoodian Aftermaths,” The American Spectator, February, 2007 under “Articles”]
Subscribe to get the latest posts to your email.
Occasionally I go to see a film by a young independent director in the hopes of seeing some signs of life beyond the stuffed and mounted product of Hollywood—and hence in the hope of an escape from the moral smugness of the Hollywood ethos. But, judging by Crossing Fields, written and directed by a young…
A rather simple but still powerful movie about educational reform which ought to be less controversial than it is
The fine Spanish director Alejandro Amenábar employs his talents unworthily on behalf of propaganda for “the right to die”
Taste of Cherry by the Iranian director, Abbas Kiarostami, is not for those whose idea of movie fun is explosions and shootings, yet its concerns with matters of life and death are no less exigent for that. Over the opening credits, Mr Badii (Homayoun Ershadi) is cruising in his Range Rover, peering intently at knots…
The Replacement Killers, directed by Antoine Fuqua, stars Chow Yun-Fat as John Lee, a kind of Chinese version of the decent American everyman as noir hero of the 1940s — a world-weary Humphrey Bogart, say, who is capable of all criminality but for some reason draws the line at killing a kid, in this case…
Wild Man Blues by Barbara Kopple is a documentary about Woody Allen and a pickup band and their tour of Europe to play New Orleans jazz. The deal must have been for Barbara to come along and get lots of shots of Woody and Soon-Yi, suitable for tabloid TV, in exchange for making Woody look…