Letters from Iwo Jima
[See “Eastwoodian Aftermaths,” The American Spectator, February, 2007 under “Articles”]
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[See “Eastwoodian Aftermaths,” The American Spectator, February, 2007 under “Articles”]
Subscribe to get the latest posts to your email.
The Family Man, written by David Diamond and David Weissman and directed by Brett Ratner, is an attempt at a reverse It’s a Wonderful Life for the Christmases of the new millennium. Jack Campbell (Nicholas Cage) is a high-flying Wall Street whiz kid and swinging bachelor whose angel (played by Don Cheadle) lets him see…
. . .And, speaking of propaganda, there can be few more spectacular recent examples of the same than Ridley Scott’s G.I. Jane. Here is a film which has no single bit of characterization or plotting or dialogue which is not designed solely to persuade us that putting women into combat is right and reasonable and…
A very slow-moving, atmospheric appreciation of the 19th century outlaw — or at least of his celebrity, which it seems a shame his assassin did not inherit
A somewhat slight but funny and insightful look at the aftermath of two revolutions: that of Francisco Franco and that of the 1960s
Every cliché of the post-1960s prison movie is taken out and put through its paces, but don’t worry: it’s all in fun
The Opportunists by Myles Connell is a pleasant surprise. To some extent, it represents a throwback to the good old days in Hollywood when even the most hard-boiled gangster movies, or movies later taken to have glorified the criminal life, could be relied upon to portray a moral world characterized by inflexible certainty about what…