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A paean to tough women is perhaps not the best way of exploring feminine vulnerabilities, but a portrait of a psycho-bitch is always something that will find a market.
Lolita
The American distributors who refused an American market to Adrian Lyne’s new film version of Lolita until it was already booked for its first run on Showtime, the cable network (beginning on August 2), said that they did so on the grounds that the film was no good. Of course, these are the same people…
Great Gatsby, The
A proud vulgarization of Fitzgerald’s novel by Baz Luhrmann
Good Night, The
Occasionally witty writing and good acting are not enough to save a movie whose high concept is just silly
Princess and the Warrior, The (Der Krieger und die Kaiserin)
The fairy-tale implications of title of The Princess and the Warrior (or, with German logic, Der Krieger und die Kaiserin), written and directed by Tom Tykwer, is both misleading and not. The film is set in the present day, in Wuppertal, Germany, and is told realistically — without even the fractured time scheme of Tykwer’s…
Oscar and Lucinda
As one of America’s greatest fans of Antipodean film-making, I am sorry not to be able to heap praise upon Oscar and Lucinda by Gillian Armstrong, but I’m afraid it is just too chaotic a film, morally and intellectually, to present us with a pleasing cinematic completeness. I suspect that this is a deficiency owing…
