High Noon

This film by Peter Hedges tries hard to be both charming and uplifting but doesn’t quite succeed in being either

Requiem for a Dream, directed by Darren Aronofsky (Pi) from a script he wrote with Hubert Selby, Jr. (Last Exit to Brooklyn) and based on the latter’s novel, has a promising beginning. We see Harry Goldfarb (Jared Leto) stealing his own mother’s television set in order to pawn it for drug money. His mother, Sara…

A dark, European take on the classic Hollywood version of the myth of the American frontier, but set in contemporary Denmark

The Eyes of Tammy Faye, a documentary by Fenton Bailey and Randy Barbato, is worth seeing in the limited sense in which many inferior documentaries are worth seeing—that is, as a document of cultural or sociological interest. I confess to a further enjoyment of the campy set-up—including narration by RuPaul Charles and little Shari Lewis-style…

Bad jokes are like rotten apples: it only takes a few of them to spoil the whole barrel. Company Man, a co-written, co-directed effort by Douglas McGrath and Peter Askin, starts off very promisingly. Its jokes are crisp and tart and juicy. But not long into it we take our first bite of the rotten…

A beautiful, funny, heart-breaking story of Kurdish refugee children in Iraq on the eve of the American invasion