Searchers, The

Set, like Rory O’Shea Was Here, in a nursing home, Elliot Greenbaum’s debut is a young man’s film but still worth seeing.

Kenneth Branagh’s new film of Love’s Labour’s Lost has very little to do with the play of the same name by William Shakespeare. Branagh’s marketability (such as it is) has always been pretty closely tied to that of the 16th century playwright, but here he is shamelessly using the Shakespeare brand name simply in order…

Jay Roach mops up whatever laughs are left in this franchise, but I’m already sick of these Fockers

Of course they had to update it: instead of the Korean, the first Gulf War, instead of brainwashing, implanted computer chips, and instead of the commies, the Bush administration

A real train-wreck of a movie from which, nevertheless, we may learn something

True, it’s not as bad as American Beauty, Sam Mendes’s earlier film, but it’s still quite bad enough.