Annie Hall

Maybe Steven Spielberg has “found his dark side” but, typically, he doesn’t really know what to do with it.

Inventing the Abbotts directed by Pat O’Connor from a story by Sue Miller is set in the 1950s and runs through the usual movie and journalistic clichés about that era as a time of “innocence.” In addition to authentic cars and clothes and appliances and TV shows (surprisingly, there is little period rock ‘n’ roll),…

A remarkably sympathetic portrayal of the early life of St. Josemaría Escrivá, founder of Opus Dei — though it gains nothing from being tangled up with a fictional romance

Rachel Leigh Cook is not only beautiful but she must be the greatest actress of her generation. How else to explain the fact that she can submit to being told in the patented denasal tones of Sylvester Stallone that she is “a special girl” —and that if she forgets it she’s going to have “a…

Charles Darwin re-imagined by today’s progressive-minded atheists as the patron saint of their cause

The Lost World: Jurassic Park by Steven Spielberg is virtually indistinguishable from the original of four years ago—and indeed from most other Spielbergian products, particularly in their emphasis on wise or clever or dexterous children rescuing their parents and in their environmental message. Indeed, the most curious thing about the whole film is that it…