Annie Hall

3000 Miles To Graceland, a heist movie whose connection to Elvis is extremely tenuous, does persuade us of one thing: that Kevin Costner is much better as a villain than he is as the sensitive, silent, wounded hero he has been playing for most of his career. The trouble is that the villain is as…

In The Hurricane, Norman Jewison is going through the motions. His film takes an ostensibly true story which also conforms to a classic movie situation—a man condemned for a crime he did not commit—and allows our expectations to do all the work. Rubin “Hurricane” Carter (Denzel Washington) was a top middleweight contender in the mid-1960s…

The racial grievance industry proves that there is life still in the biggest grievance of all, thought by the merely naive far to ante-date any living memory

Guys & Balls (Männer wie wir), directed by Sherry Horman and written by Benedikt Gollhardt, is based on the perennial gay fantasy of the latent homosexuality of those involved in such manly pursuits as soccer — or football as it is known to the rest of the world. Ecki (Maximilian Brückner) is the goalie for Boldrup…

Almost a pastiche of a Truffaut-like coming of age picture, but without Truffaut’s magic touch

Pixar shows its technical accomplishment once again, but as in Toy Story and A Bug’s Life it doesn’t quite make the feeling believable