Annie Hall

More evidence, if evidence were needed, that the movies are not very good at re-imagining the myths and legends of the past, especially not Biblical ones

[See discussion under “My Diary” for July 10, 2013] Discover more from James Bowman Subscribe to get the latest posts sent to your email. Type your email… Subscribe

Guantanamera is, I guess, a sort of Cuban communist version of such US movies as One Fine Day or that one with Nicholas Cage and Bridget Fonda about the cop who wins the lottery ( “We’re in the money” ? “Can’t buy me love” ? I can’t remember). In other words, it borrows the name…

Jackie Brown confirms two things we have always really known about Quentin Tarantino at his best (at his worst he is just unspeakable). One is that he is the most compulsively watchable filmmaker now working in America. He knows how to keep an audience riveted to the screen, and he knows how to tell a…

Near the end of The Mod Squad one of the three drop-dead hip teen cops, Pete Cochran (Giovanni Ribisi), says to another, Julie Barnes (Claire Danes): “Dirty cops, drops at the airport: I feel like one of us should say, ‘We’re getting too old for this s***’.” Julie replies: “At least it’s not going down…

The Gingerbread Man, directed by Robert Altman from a story by John Grisham is a kind of cross between Deliverance and Fatal Attraction—that is a meditation on how bad things happen to nice yuppies when they fall victim to wily backwoodsmen or “white trash tramps” or various sorts of throwbacks still lurking around the edges…