Philadelphia Story, The
[See “Entry from July 2, 2008” under “My Diary”]
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[See “Entry from July 2, 2008” under “My Diary”]
Subscribe to get the latest posts to your email.
In the New York Times‘s review of East-West, a Franco-Russian production directed by Régis Wargnier, A.O. Scott noted that, on its release in France last year, the film had been criticized for “its supposed anti-Communism” but that, it seemed to him, “its politics are fairly restrained.” How typical of the New York Times to assume…
A Norwegian film whose amusing qualities are the spoonful of sugar that helps the message-medicine go down
It’s a lucky thing for me that Whit Stillman, who is an old friend of the American Spectator, makes such good movies. If he made bad ones, I should have to be diplomatic, but that is a necessity which has yet to arise. I thought his first film, Metropolitan (1990) was funny, clever and charming….
Another fine Iranian study of the clash between innocence and experience, rural and city people, Eastern fatalism and Western-style striving.
Live Flesh by Pedro Almodovar begins with a scene, set on a lonely night in 1970, in which a baby is born on a bus on the way to the hospital. There is a comic bus driver and a comic older woman helping the baby be born. “If idiots like us didn’t give birth,” she…
Another foray by Dinesh D’Souza into the lists in order to break a lance on President Obama — and Howard Zinn. At least the latter is effectively unhorsed.
In the New York Times‘s review of East-West, a Franco-Russian production directed by Régis Wargnier, A.O. Scott noted that, on its release in France last year, the film had been criticized for “its supposed anti-Communism” but that, it seemed to him, “its politics are fairly restrained.” How typical of the New York Times to assume…
A Norwegian film whose amusing qualities are the spoonful of sugar that helps the message-medicine go down
It’s a lucky thing for me that Whit Stillman, who is an old friend of the American Spectator, makes such good movies. If he made bad ones, I should have to be diplomatic, but that is a necessity which has yet to arise. I thought his first film, Metropolitan (1990) was funny, clever and charming….
Another fine Iranian study of the clash between innocence and experience, rural and city people, Eastern fatalism and Western-style striving.
Live Flesh by Pedro Almodovar begins with a scene, set on a lonely night in 1970, in which a baby is born on a bus on the way to the hospital. There is a comic bus driver and a comic older woman helping the baby be born. “If idiots like us didn’t give birth,” she…
Another foray by Dinesh D’Souza into the lists in order to break a lance on President Obama — and Howard Zinn. At least the latter is effectively unhorsed.
In the New York Times‘s review of East-West, a Franco-Russian production directed by Régis Wargnier, A.O. Scott noted that, on its release in France last year, the film had been criticized for “its supposed anti-Communism” but that, it seemed to him, “its politics are fairly restrained.” How typical of the New York Times to assume…
A Norwegian film whose amusing qualities are the spoonful of sugar that helps the message-medicine go down
It’s a lucky thing for me that Whit Stillman, who is an old friend of the American Spectator, makes such good movies. If he made bad ones, I should have to be diplomatic, but that is a necessity which has yet to arise. I thought his first film, Metropolitan (1990) was funny, clever and charming….
Another fine Iranian study of the clash between innocence and experience, rural and city people, Eastern fatalism and Western-style striving.
Live Flesh by Pedro Almodovar begins with a scene, set on a lonely night in 1970, in which a baby is born on a bus on the way to the hospital. There is a comic bus driver and a comic older woman helping the baby be born. “If idiots like us didn’t give birth,” she…
Another foray by Dinesh D’Souza into the lists in order to break a lance on President Obama — and Howard Zinn. At least the latter is effectively unhorsed.