Public Enemy, The

A movie that is a very good example of its kind, even though its kind is not to this critic’s taste

Face/Off by John Woo offers what is perhaps the most preposterous plot ever for an action movie, and that is saying something. Most postmodern action thrillers—see, for instance, Speed 2 and Con Air—aspire to nothing higher than nudging you in the ribs from time to time to remind you that you are watching a movie….

Baz Luhrmann’s Romeo and Juliet is a good example of Shakespeare killed by terminal hipness. It is remarkably clever, and even has some good dramatic ideas. Having Juliet (Claire Danes) wake up just before Romeo (Leonardo DiCaprio) drinks the poison and simply cutting Friar Lawrence (Pete Postlethwaite) out of it is an interesting notion and…

Paul Thomas Anderson shows why style, however brilliant, cannot make up for basic flaws in content.

Tea With Mussolini is, like so many other works by its director and co- writer (with John Mortimer) Franco Zeffirelli, for movie-goers with rather more of a sweet-tooth than I generally find I have. Adapted from Zeffirelli’s autobiography, it tells the story of a small Italian boy called Luca (played as a child by Charlie…

A cop-on-the-edge turns out to be more interesting for his marriage than as a romantic loner — another smashing two-star movie from Down Under.