Public Enemy, The

The Iron Giant, directed by Brad Bird, is an animated adaptation of Ted Hughes’s fable which recruits it for a role in Hollywood’s continuing attempts to re-mythologize the 1950s according to “progressive” notions. The old mythology, now long discredited so far as Hollywood and the media are concerned, was that during that period God-fearing Americans…

A patronizing movie about Britain’s greatest post-war prime minister which is only interested in her mental and physical decay and not at all in her achievements

The best thing about Lock, Stock and Two Smoking Barrels, written and directed by the Englishman, Guy Ritchie, is the plot. Long before Quentin Tarantino’s Reservoir Dogs and Pulp Fiction revolutionized the noir style of thriller and brought back the gangster movie in a new form, a tightly constructed, intricate plot was one of the…

Going All the Way, directed by Mark Pellington, to a screenplay adapted by Dan Wakefield from his own novel is yet another among the plethora of recent cinematic evocations of the 1950s—and one which, I would have thought, might have elicited one or two protests from women because of the way that it treats them…

What makes Tim Story’s film so good as moral instruction is what makes it, um, not quite so good as a movie.