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Edward Burns’s young career as a director has gone from promising (The Brothers McMullin) to flabby (She’s the One) to utterly self-indulgent and silly in his latest and, I hope, last film, No Looking Back. The big idea here is to take that over-familiar and by now thoroughly boring conceit of the 1950s (most recently…

The Perfect Storm, though exciting as spectacle is disappointing as drama. Its director, Wolfgang Petersen here favors rather the style of Air Force One, his best known film, than Das Boot, his second best-known. Perhaps it was only the relatively small budget of the latter film which forced him to pay the attention he does…

Slamnation by Paul Devlin is a ridiculous if not often comical documentary about the growing fashion of the “poetry slam” — a kind of competitive sport involving mostly execrable poetry and the little clique of neurotics and borderline exhibitionists who write it for performance before vast arenas of enthusiasts. The film tells the story of…

The portrait of a real-life French con-man who doesn’t succeed in being as charming as the film wants to portray him as being

A one-joke wonder — and the wonder is that anyone finds even the one joke funny

The opening of Mean Girls this week seems an appropriate occasion to take a look at some really mean girls