Frozen
[See “Frozen in Ideological Time” in The American Spectator of January-February, 2014 under “Articles”]
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Don't Bother
[See “Frozen in Ideological Time” in The American Spectator of January-February, 2014 under “Articles”]
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The three Australian Twentyman brothers are such lovable criminals that we’re even supposed to love their criminality. In short, they’re just like American movie criminals.
A touching and well-made movie from India whose motto, worthy of emulation by Hollywood, is "less is more"
Taste of Cherry by the Iranian director, Abbas Kiarostami, is not for those whose idea of movie fun is explosions and shootings, yet its concerns with matters of life and death are no less exigent for that. Over the opening credits, Mr Badii (Homayoun Ershadi) is cruising in his Range Rover, peering intently at knots…
The word “honor” turns up conspicuously in only one place, apart from the title, in Men of Honor, which was directed by George Tillman Jr. from a script by Scott Marshall Smith based on the true story of the U.S. Navy’s first black diver, Carl Brashear (Cuba Gooding Jr.). This comes as Brashear is facing…
Rather like Safe Men, Return to Paradise, directed by Joseph Ruben (Sleeping With the Enemy, Money Train), is worth seeing even though it has a tendency to make light of criminal behavior. In this case, the criminal behavior is drug-taking. Three American friends, Sheriff (Vince Vaughn), Lewis (Joaquin Phoenix) and Tony (David Conrad) vacation in…
Bulworth is Hollywood political fantasy from one of Hollywood’s inveterate political fantasists, Warren Beatty, who is both director and star. Like The American President, which starred Beatty’s wife, Annette Bening, this movie proposes that the ticket to electoral success in America is a frank and robust avowal of socialist principles by hitherto cowardly and mealy-mouthed…