Don't Bother
[See “Frozen in Ideological Time” in The American Spectator of January-February, 2014 under “Articles”]
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The Gingerbread Man, directed by Robert Altman from a story by John Grisham is a kind of cross between Deliverance and Fatal Attraction—that is a meditation on how bad things happen to nice yuppies when they fall victim to wily backwoodsmen or “white trash tramps” or various sorts of throwbacks still lurking around the edges…
A glib and unpersuasive attempt to identify the primitive and savage “other” with the super-rich
A movie better avoided by anyone with any taste is nevertheless extremely funny — and it has something serious to say
A movie about a horse with the heart of a champion doesn’t have a heart of its own
Beloved, from the novel by Toni Morrison and directed by Jonathan Demme, exploits the sufferings of black people under slavery on behalf of a radical feminism that is merely parasitical upon them. Blacks in general and black men in particular ought to resent having their own history hijacked in this way, and used in the…
Daniel Burman’s Lost Embrace (El Abrazo Partido) is on one level an ethnic drama about Jewish exile (in Argentina) and on another a more universal tale of growing up and coming to terms with one’s parents for the first time as an adult. Both themes come together as the film’s hero, Ariel Makaroff (Daniel Hendler),…
