Magnificent Ambersons, The (1942)

Over the opening credits of the Coen brothers’ new movie, O Brother, Where Art Thou? we hear Harry McLintock singing “The Big Rock Candy Mountain,” a song which (I seem to remember) was once an anthem of the revolutionary International Workers of the World or “Wobblies” and which enjoyed a renewed vogue during the Depression…

Flubber, directed by Les Mayfield, is a Disney remake of an original Disney movie of 1961 about a wonderful kind of “flying rubber” and called The Absent Minded Professor, directed by Robert Stevenson. It wasn’t a very good movie the first time around and it is, naturally enough, a much worse movie in the remake….

The influence of Quentin Tarantino continues to exert its baleful effect on lesser film-makers more than a decade after Pulp Fiction

Amazing! An old-fashioned drama of honor and faith and romance and swordplay not intended to send these things up.

Body Shots, directed by Michael Cristofer and written by David McKenna, is really two movies in one, pulling in opposite directions—a fact which, whether it is intended as a kind of post-modern experiment or simply the result of incompetence, is fatal to its success. The first movie is a sort of latter-day comedy of manners,…

A fitfully engaging thriller, as such things go these days, which falls apart in the last ten minutes