Magnificent Ambersons, The (1942)
[See discussion under “My Diary” of June 25, 2014]
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[See discussion under “My Diary” of June 25, 2014]
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Please note that the star in this case has a very special meaning. This is that if you have strong nerves and are not subject to nightmares—and you live in one of the few places where Funny Games by the Austrian director Michael Haneke can be seen—by all means go to see it. But don’t…
A Smile Like Yours, directed by Keith Samples (co-written by Samples and Kevin Meyer), starts off as a kind of throwback to those 1950s comedies in which a lovable ditz of a wife went around getting into trouble which her steady, long-suffering straight-man of a husband would then have to get her out of. George…
Ridley Scott has produced a masterpiece about men in battle. As you might expect, The New York Times hated it.
Shooting Fish by Stefan Schwartz stars Dan Futterman and Stuart Townsend as Dylan and Jez (short for Jeremiah), an American and an Englishman who team up to run various scams in the interests, they say, of some orphans, namely themselves. If this strikes you as a jolly jape, you may be as much stuck in…
A great fan of Taste of Cherry, the last film by the Iranian director, Abbas Kiarostami, I went to his newest, The Wind Will Carry Us with high hopes. I was not disappointed. It is an even better, more engaging and interesting, work than the other, but is recognizably by the same man. In particular,…
Sunshine, directed and co-written by the Hungarian Istvan Szabo but with an entirely English-speaking cast, is a superbly well-crafted film that manages, unlike so many of its elephantine brethren these days, to keep our attention riveted throughout its three-hour length. For what it is, it could hardly be better, but what-it-is is family- saga soap…