Bullitt (1968)

A fascinating documentary tracing the history of a favorite terrorist technique, but one a bit too ready to take the terrorists at their own valuation

Nil By Mouth by Gary Oldman is a surprise. You would think that Hollywood’s favorite maniac villain — along with Dennis Hopper and Christopher Walken — would have been infected with the Hollywood slicks, but here, in his first appearance as director, he is doing something altogether different — that is a sort of cinéma…

Double Jeopardy, directed by Bruce Beresford, is the latest example of what is coming to be one of Hollywood’s favorite new genres: the female paranoia movie. Like The Astronaut’s Wife of a few weeks ago, it deliberately sets out to exploit the sort of insecurity that has become endemic, in some ways the most destructive…

Firelight, written and directed by William Nicholson (Shadowlands, Nell), is a contemporary chick-flick, one of those costume drama romances that attempts to marry traditional girlish fantasies to a mild strain of feminism so as to make its mainly female consumers feel comfortable, even virtuous, about watching what would otherwise be embarrassingly retrograde material. A poor…

The most destructive technology yet devised by the mind of man — not the airplane but the movie about the airplane

The Dreamlife of Angels (in French La Vie Revée des Anges) by Érick Zonca is by far the best picture I have seen this year and one of the best I have ever seen. I can’t remember the last time I came staggering out of a movie, as I did out of this one, literally…