Annie Hall
[See “Entry from July 30, 2008” under “My Diary”]
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[See “Entry from July 30, 2008” under “My Diary”]
Subscribe to get the latest posts to your email.
There is an essential bit of information about the plot of Open Your Eyes (in Spanish Abre Los Ojos), directed by Alejandro Amenábar, which is withheld until almost the end of the film and which, because I think it just about worth seeing, I will not reveal here. But it is worth knowing that it…
The Opposite of Sex, written and directed by Don Roos, is a young man’s film with all the virtues that natural wit and talent can supply in the absence of maturity, depth and judgment. These last named are qualities which often come to people with time, so we may hope for splendid things in the…
Velvet Goldmine, written and directed by Todd Haynes, comes with the following “Director’s Statement” Velvet Goldmine is a valentine to the sounds and images that erupted in and around London in the early 1970’s: to Brian Ferry, David Bowie, Iggy Pop, Lou Reed — and the extraordinary inversions they imposed on our notions of the…
Peeping Tom by Michael Powell first appeared in this country in 1960, and it is often compared with Psycho, the work of another British-born filmmaker from the same year. But where Psycho was widely regarded as its auteur’s masterpiece, Peeping Tom got such a critical slating that it all but ended Powell’s career prematurely. Nowadays…
The Newton Boys directed by Richard Linklater is the sort of movie that Hollywood made routinely 25 or 30 years ago, a movie about criminals as existential heroes—decent fellows no worse than lots of respectable folks who, though equally ready to be corrupted, haven’t the guts to go out and say “stick ’em up” as…
A glib and unpersuasive attempt to identify the primitive and savage “other” with the super-rich
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