Magnificent Ambersons, The (1942)
[See discussion under “My Diary” of June 25, 2014]
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[See discussion under “My Diary” of June 25, 2014]
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It is not a particularly original or even, necessarily, interesting observation that marriage, like other symbiotic relationships, is often a matter of complementary pathologies. Or what would be pathologies if they were found in an individual. Benoit Jacquot (A Single Girl, The Disenchanted) has given us a portrait of such a marriage—and not much hope…
Well, here goes. The following, I know, is an invitation to hate-mail, but I have to say that Star Wars Episode One: The Phantom Menace, written and directed by George Lucas, demonstrates a remarkable paucity of imagination. The thought first came to me in the scene where Senator Palpatine (Ian McDiarmid) explains to Queen Amidala…
Night Falls on Manhattan is that rare thing, a film that is bursting with talent—written and directed by Sidney Lumet it features fine performances from Andy Garcia, Ian Holm and James Gandolfini and even such cinematic palookas as Richard Dreyfuss and Lena Olin are punching above their weight—which is, nevertheless, a complete failure. It is…
Once again, Clint Eastwood reaches after profundity and compassion but can grasp only conventional emotions and beliefs
The best thing about Lock, Stock and Two Smoking Barrels, written and directed by the Englishman, Guy Ritchie, is the plot. Long before Quentin Tarantino’s Reservoir Dogs and Pulp Fiction revolutionized the noir style of thriller and brought back the gangster movie in a new form, a tightly constructed, intricate plot was one of the…
[See “Entry from July 2, 2008” under “My Diary”] Discover more from James Bowman Subscribe to get the latest posts sent to your email. Type your email… Subscribe