Magnificent Ambersons, The (1942)
[See discussion under “My Diary” of June 25, 2014]
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[See discussion under “My Diary” of June 25, 2014]
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The Jackal, directed by Michael Caton-Jones, is a formula blockbuster and a complete artistic void. The only interesting thing about it to me was the chance it afforded to spot the trends as to what ingredients go into the formula this year. For example, the macho man who has an on-screen homosexual kiss looks as…
A beautiful if harrowing film about a clash between medieval and modern in which neither looks much like a winner
Another propaganda effort, along the lines of Pleasantville or American Beauty, against what could still be called, in the 1950s, middle class morality.
A Chef in Love (or, to give it its French title, Le Mille et Un Recettes d’un Cuisinier Amoureux) by Nana Djordjadze is a Franco-Georgian film which takes the fast-track to success by foreign language films: include lots of food. Set in the Caucasus in 1920, it is the story of a French chef, Pascal…
Saving Grace, written by Craig Ferguson and Mark Crowdy and directed by Nigel Cole, I found a surprisingly charming and thoroughly entertaining film until about three quarters of the way through, when it lapsed into a tired druggy fantasy that made the rest of the thing look bad retrospectively. I think the key to making…
Early on in Keeping the Faith, Father Brian Finn (Edward Norton) advises his worshiping flock, most of whom appear to be worshiping him, that “faith is different from religion,” and he makes it clear which of the two he prefers. Religion is old, stuffy, rule-bound, while faith is personal—“a feeling, a hunch,” he says. I’m…
The Jackal, directed by Michael Caton-Jones, is a formula blockbuster and a complete artistic void. The only interesting thing about it to me was the chance it afforded to spot the trends as to what ingredients go into the formula this year. For example, the macho man who has an on-screen homosexual kiss looks as…
A beautiful if harrowing film about a clash between medieval and modern in which neither looks much like a winner
Another propaganda effort, along the lines of Pleasantville or American Beauty, against what could still be called, in the 1950s, middle class morality.
A Chef in Love (or, to give it its French title, Le Mille et Un Recettes d’un Cuisinier Amoureux) by Nana Djordjadze is a Franco-Georgian film which takes the fast-track to success by foreign language films: include lots of food. Set in the Caucasus in 1920, it is the story of a French chef, Pascal…
Saving Grace, written by Craig Ferguson and Mark Crowdy and directed by Nigel Cole, I found a surprisingly charming and thoroughly entertaining film until about three quarters of the way through, when it lapsed into a tired druggy fantasy that made the rest of the thing look bad retrospectively. I think the key to making…
Early on in Keeping the Faith, Father Brian Finn (Edward Norton) advises his worshiping flock, most of whom appear to be worshiping him, that “faith is different from religion,” and he makes it clear which of the two he prefers. Religion is old, stuffy, rule-bound, while faith is personal—“a feeling, a hunch,” he says. I’m…
The Jackal, directed by Michael Caton-Jones, is a formula blockbuster and a complete artistic void. The only interesting thing about it to me was the chance it afforded to spot the trends as to what ingredients go into the formula this year. For example, the macho man who has an on-screen homosexual kiss looks as…
A beautiful if harrowing film about a clash between medieval and modern in which neither looks much like a winner
Another propaganda effort, along the lines of Pleasantville or American Beauty, against what could still be called, in the 1950s, middle class morality.
A Chef in Love (or, to give it its French title, Le Mille et Un Recettes d’un Cuisinier Amoureux) by Nana Djordjadze is a Franco-Georgian film which takes the fast-track to success by foreign language films: include lots of food. Set in the Caucasus in 1920, it is the story of a French chef, Pascal…
Saving Grace, written by Craig Ferguson and Mark Crowdy and directed by Nigel Cole, I found a surprisingly charming and thoroughly entertaining film until about three quarters of the way through, when it lapsed into a tired druggy fantasy that made the rest of the thing look bad retrospectively. I think the key to making…
Early on in Keeping the Faith, Father Brian Finn (Edward Norton) advises his worshiping flock, most of whom appear to be worshiping him, that “faith is different from religion,” and he makes it clear which of the two he prefers. Religion is old, stuffy, rule-bound, while faith is personal—“a feeling, a hunch,” he says. I’m…