Robert E. Lee fought the wrong fight, but he fought it honorably
Without an honor culture, we have no way to think of Robert E. Lee except in terms of good and evil. So, evil then. From The Washington Examiner of August 21, 2017
Without an honor culture, we have no way to think of Robert E. Lee except in terms of good and evil. So, evil then. From The Washington Examiner of August 21, 2017
At least some statues were intended to honor love, not hate. From The Washington Examiner of August 18, 2017
In all the fuss over Google’s firing of an engineer named James Damore (surely a corruption of "D’amore"?) for expressing an opinion about sex differences, the main focus has been upon the poor fellow’s right to freedom of speech, if any, with only secondary consideration being given to the merits, if any, which may be…
All the news is in the headline of an article in yesterday’s New York Times headed "Hansa Market, a Dark Web Marketplace, Bans the Sale of Fentanyl." The article itself, by Nathaniel Popper, begins like this: A free market ideology has long been the prevailing ethos on the online markets where drugs and stolen credit…
The media’s triumphalist account of the Watergate scandal has turned their routine bias into confirmation bias
Yesterday’s New York Times headlined: "Reality Winner, N.S.A. Contractor Accused of Leak, Was Undone by Trail of Clues." Not that you, probably, couldn’t have guessed as much for yourself. The article, by Charlie Savage, Scott Shane and Alan Blinder began like this: In the months after President Trump was elected, Reality Leigh Winner frequently expressed…
The other day, I had a sudden insight into how political correctness works even on those, like me, who otherwise fancy themselves as being most resistant to it. A girl in her teens, perhaps as old as college age, though no more than that, came to my door with a loud, confident knock: shave and…
An amusing fairy tale that sometimes flirts with over-seriousness
To the media it’s scandal, scandal everywhere but never touching them — From The New Criterion of May, 2017
A not-so rollicking comedy about infidelity and divorce? What’s wrong with this picture?