If you are a Buddhist or very fond of soccer—or possibly one of the yuppie aristocracy who are both—then The Cup is for you. Even I, who have very little time for either Buddhism or soccer, found it completely charming. Written and directed by Khyentse Norbu, it tells the story of a Buddhist monastery in…
A Map of the World, adapted by Peter Hedges and Polly Platt from the novel by Jane Hamilton and directed by Scott Elliott, is essentially an Oprah movie that rises above the level we might expect of such a thing—at least until the end when it tries to tidy things up with far too neat…
Titus, written and directed by Julie Taymore, is a revelation. Like most students of Shakespeare, I had always thought Titus Andronicus the weakest of his plays, its Grand Guignol effects obviously the fruits of an apprentice hand. I think so still. But it took Miss Taymore to show us that even Shakespeare’s prentice work was…
Christopher: I’m workin’ my ass off on this movie script. You know how many pages I got? Nineteen.Paulie: Is that a lot or a little?Christopher: Books say a movie’s supposed to be about 120 pages.Paulie: [whistles softly].Christopher: With this f***in’ computer, I thought it would do a lot of it.Paulie [menacingly]: If you’re bein’ frank…
Milos Forman’s Man on the Moon is worth seeing for two reasons. One is the remarkable performance of Jim Carrey as the late comic and performance artist (as we should call him today), Andy Kaufman. I confess that I have always numbered myself among the Carrey-skeptics, and cannot remember a single performance of his that…
The Emperor and the Assassin by Chen Kaige presents us with an interesting and reasonably honest look at the way power is (or at least was) wielded in the world—as perhaps only a Chinese Communist who denounced his parents to the Red Guards of Mao’s Cultural Revolution could do. True, the action takes place over…
John Frankenheimer’s new movie, Reindeer Games, for which Ehren Kruger (Arlington Road) wrote the screenplay, is in some ways an admirably old-fashioned sort of picture. Or so I am inclined to think of any movie whose soul is its plot, as it generally is in the movies of the greatest directors from Hitchcock to Rohmer….
Errol Morris’s fascinating documentary, Mr Death: The Rise and Fall of Fred A Leuchter, Jr. is another chapter in the long and tragic history of the great American autodidact. Like so many of those immensely likeable and distinctively American “characters” who believe that they can reinvent the world, Fred is ultimately swallowed up by the…
Holy Smoke by Jane Campion is a movie whose most basic assumptions—arising out of a weirdly anachronistic, 1970s-vintage view of bourgeois life—makes it rather difficult to like. From the first glimpse she gives us of “Sans Souci, Sydney,” an overhead shot of acres of tiled-roof bungalows that bespeaks “suburbia,” we know that Miss Campion’s sympathies…
At the beginning of Anna and the King, directed by Andy Tennant and adapted by Steve Meerson from The English Governess at the Siamese Court by Anna Leonowens (1870), Mrs Leonowens (Jodie Foster), a widow, explains to her young son Louis (Tom Felton) why she has come to Siam as tutor to the son of…
Everything that is important in Girl, Interrupted, directed by James Mangold and based on the memoir by Suzanna Kaysen, can be condensed into one comment by the mental institution attendant, Valerie (Whoopi Goldberg) as she attempts to give the reluctant Suzanna (Winona Ryder) a bath. “This place is a f****** fascist torture chamber,” says the…
Play It To the Bone, directed by Ron Shelton, is a Woody Harrelson movie in every sense of the term — that is it is full of macho posturing at the same time that it attempts to make a joke (a rather tired joke by now, you might think) about male stupidity. This is how…
