It used to be almost a cliché: the toughest teacher you had in high school was always the one you remembered as having given you the most, once you grew up and learned to appreciate it. Nowadays, however, we believe neither in growing up ourselves nor in expecting our kids to grow up. Our kids…
Fred Barnes, writing in The Weekly Standard, tells us that he doesn’t go to the movies anymore, partly because he has got out of the habit and partly because they start too late or too early but mainly because of the left-wing bias of most of the thrillers. “In most thrillers it’s some conspiratorial right-wing…
Run Lola Run, written and directed by Tom Tykwer, is the kind of film for which critics must have invented the word “stylish.” It is so stylish in fact that it thinks it has nothing to do but to be stylish. And indeed many critics seem to have forgiven it all its many little incoherences…
The Dinner Game, as the untranslatable Dîner de Cons is awkwardly but decorously rendered, is an uproarious French farce by Francis Veber, co-author of La Cage Aux Folles and creator on his own of a number of other plays and films in a similar style. It tells the story of Pierre Brochant (Thierry Lhermitte), a…
The Dinner Game, as the untranslatable Dîner de Cons is awkwardly but decorously rendered, is an uproarious French farce by Francis Veber, co-author of La Cage Aux Folles and creator on his own of a number of other plays and films in a similar style. It tells the story of Pierre Brochant (Thierry Lhermitte), a…
Drop Dead Gorgeous, directed by Michael Patrick Jann, is intermittently quite funny, but ultimately doesn’t work because it is offensively patronizing to the people of small-town Minnesota whom it sees through the eyes of New York or Los Angeles—or some even more fabulously sophisticated place. In this view of the American heartland, the people are…
The Iron Giant, directed by Brad Bird, is an animated adaptation of Ted Hughes’s fable which recruits it for a role in Hollywood’s continuing attempts to re-mythologize the 1950s according to “progressive” notions. The old mythology, now long discredited so far as Hollywood and the media are concerned, was that during that period God-fearing Americans…
The movie version of the scatological TV series, South Park: Bigger, Longer & Uncut, directed by Trey Parker from a script he co-wrote with Matt Stone and Pam Brady, is billed as satire, but it has no coherent satirical vision. In fact, it cannot even remember what, if anything, it is supposed to be satirical…
Never a big fan of the late Stanley Kubrick’s, I went to see Eyes Wide Shut with no very great expectations. As in so many of Kubrick’s films, the cineaste predominates over the dramatist or the moralist. He is one of those directors — Bertolucci is another — whose approach to the movies is what…
Wild, Wild West, directed by Barry Sonnenfeld, is one of those movies where you can reconstruct the story conference. “It’s James Bond in the Old West,” says the pitchman. “Only he’s black, you see. Will Smith would be perfect for the part. He can be a dandy, Maverick-like, and of course a ladies’ man. But…
Let’s stipulate that teenage sexual energy and the sorts of things it drives the young’uns to get up to are inherently funny subjects. Shakespeare has the grumbling old shepherd in The Winter’s Tale say: “I would there were no age between ten and three-and-twenty, or that youth would sleep out the rest; for there is…
[Also see discussion in “Entry from July 27, 2011” under “My Diary”] I liked After Life by Hirokazu Kore-eda, whose previous film was Maborosi. It is a witty contribution to the genre that includes Here Comes Mr. Jordan, Stairway to Heaven and so forth, but it gives the bureaucracy of death a peculiarly Japanese look….
