There is often a satirical edge to Mike Myers’s comic speciality, which is characters who are trying and mostly failing to be cool. At some level, he understands the foolishness and moral poverty of the “cool” ideal and loves to laugh at those whose self-presentation falls pathetically short of their own self-image. But there is…
The General’s Daughter, directed by Simon West from a screenplay by Christopher Bertolini and William Goldman, adapted from the novel by Nelson DeMille is yet another example of Hollywood’s grotesquely misconceived representation of life in our country’s armed forces where, we are constantly asked to believe, kinky sex vies with political plots and murder as…
Spike Lee’s Summer of Sam represents yet another mile-marker in Mr Lee’s progress from interesting young filmmaker to boring commercial hack. He no longer seems to have anything to say except for the same kinds of things he says in interviews to get attention: Clarence Thomas ought to be beaten with a baseball bat, Charlton…
The Blair Witch Project directed by the first-time filmmakers Eduardo Sanchez and David Myrick, is a curious and partly successful attempt to make fiction look as much like documentary as possible by giving us what purports to be raw documentary footage from three young kids who were making a film about witches in the mountains…
The arrogance of the evil Disney empire as it colonizes the world, both in space and in time, on behalf of spoiled American pre-teens continues. Characteristically, it has chosen for its next property to be conquered and laid waste a peculiarly inappropriate vehicle in Tarzan. The story of Tarzan, that is, absolutely depends on the…
It would be presumptuous of me to review Return With Honor, a documentary directed by Freida Lee Mock and Terry Sanders, who also co-wrote it with Christine Z. Wiser. Both the writing and the direction are quite unobtrusive, and the picture consists almost entirely of interviews with American prisoners of war, most of them Navy…
[Also see discussion in “Entry from July 27, 2011” under “My Diary”] I liked After Life by Hirokazu Kore-eda, whose previous film was Maborosi. It is a witty contribution to the genre that includes Here Comes Mr. Jordan, Stairway to Heaven and so forth, but it gives the bureaucracy of death a peculiarly Japanese look….
Do too many kids go to college? — From National Review of May 17, 1999.Vol. 51, No. 9; p. 30
There are two perfect, transcendent moments in the Tale of Autumn, or Conte d’Automne, which is the fourth and perhaps the best of Eric Rohmer’s magisterial series, “Tales of the Four Seasons.” The first of these is when we suddenly realize that the simple story of two women, married Isabelle (Marie Rivière) and her divorced…
I confess. When I was a callow youth—even, let it be said, a moony adolescent, I occasionally had fantasies like that which lies behind and beneath Notting Hill. I guess I always knew that neither Sophia Loren nor Elizabeth Taylor could ever be mine—not because they were superstars or married to other people but because…
Besieged, like so many other films by its director, Bernardo Bertolucci, is dramatically simple and visually complex. More than any other director working today, Bertolucci is a story-teller in pictures, which makes for striking and memorable images that are forever bursting out of their contexts and becoming saucily incoherent, at least in any kind of…
There are two transcendent moments in the Autumn Tale, the fourth and perhaps best of Eric Rohmer’s magisterial “Tales of the Four Seasons.” The first is when we suddenly realize that the simple story of two women, married Isabelle (Marie Rivière) and her divorced friend Magali (Béatrice Romand), whom she is trying to fix up…
