Arab-Americans are protesting against the portrayal of Arabs in The Siege, the new movie by Edward Zwick, and so of course the politically correct will argue among themselves for a while about whether or not Arabs are being stereotyped as terrorists. The film’s apologists claim that, by including a token Arab (played by Tony Shalhoub)…
Jerry Springer in ‘Ringmaster,’ directed by Neil Abramson and written by Jon Bernstein, stars Jerry Springer as the host of a daytime talk show very much like “The Jerry Springer Show”—only a disclaimer at the end informs us that this Jerry and that Jerry have nothing to do with one another. It is the downmarket…
The Inheritors written and directed by Stefan Ruzowitzky, is a curious anachronism, borrowing its story (so it might seem) from some Communist propaganda tract of the 1930s—when it is ostensibly set. It tells the story of a group of Austrian peasants whose master, when he is murdered, is found to have willed his farm to…
A Place Called Chiapas, directed by the Canadian Nettie Wild, is a documentary about what the New York Times has rightly called “the world’s first post-modern revolution.” It begins with military vehicles emerging from darkness and a voiceover talking about the Zapatista movement of the Chiapan campesinos, led by Subcomandante Marcos, as having been “born…
Orgazmo, written and directed by and starring Trey Parker, exploits the essential comedy in sex by bringing together the adult film industry and Mormonism — an unpromising combination, you might think, though the premiss is good for a few laughs before it sputters out about half way through. Parker plays Joe Young, a Mormon missionary…
My first thought about The Waterboy, directed by Frank Coraci, was that I had already seen just about as many movies as I would ever need to see in which Adam Sandler attempts to exploit his arrested development for comic purposes. But then the Washington Post ran a “Style” section piece by Sharon Waxman taking…
Living Out Loud, written and directed by Richard LaGravenese is a handsome tribute to a charming woman, but it has no idea where it is going. Or rather: it knows where it wants to go, which is in the direction of a romantic rescue, but hasn’t got the nerve to go there. The story concerns…
Home Fries, written by Vince Gilligan and directed by Dean Parisot, stars Drew Barrymore as Sally, a girl from the wrong side of the tracks made pregnant by a relatively well-to-do married man called Henry. Henry’s wife Beatrice (Catherine O’Hara), having learned of his affair emotionally manipulates her two dutiful sons by an earlier marriage,…
Celebrity is the first good film Woody Allen has made since Husbands and Wives, though it’s still not all that great. It is about celebrity, which is a subject of major concern to the postmodernist sensibility, and it makes use of a central postmodern joke. That is, the celebrity director known as “Woody Allen,” does…
La Séparation, directed by Christian Vincent from a screenplay written by himself and Dan Franck, tells the story of the unraveling of a marriage, except that it is not a marriage. Pierre (Daniel Auteuil), a book illustrator, and Anne (Isabelle Huppert), who is some kind of professional or businesswoman, have lived together for years, and…
Velvet Goldmine, written and directed by Todd Haynes, comes with the following “Director’s Statement” Velvet Goldmine is a valentine to the sounds and images that erupted in and around London in the early 1970’s: to Brian Ferry, David Bowie, Iggy Pop, Lou Reed — and the extraordinary inversions they imposed on our notions of the…
Beloved, from the novel by Toni Morrison and directed by Jonathan Demme, exploits the sufferings of black people under slavery on behalf of a radical feminism that is merely parasitical upon them. Blacks in general and black men in particular ought to resent having their own history hijacked in this way, and used in the…
