Un Air de Famille, directed by Cédric Klapisch (While the Cat’s Away) from an original play by Agnès Jaoui and Jean-Pierre Bacri, is enormous fun, and I highly recommend it if you are lucky enough to find it opening in your neighborhood. Denis (Jean-Pierre Darroussin) is having affair with Betty (Miss Jaoui) while working for…
La Desenchantée by Benoit Jacquot stars the stunning young actress, Judith Godrèche, as Beth, a supposedly down on her luck teenager who, far more rapidly than most teenagers (especially teenagers who look like this) is shorn of her illusions as a sheep in the springtime is shorn of its wool. I am suspicious of a…
Mr Jealousy directed by Noah Baumbach (Kicking and Screaming) is the kind of film that young filmmakers ought to be making, and that I approve of in theory. But I’m afraid it is just not very good. The jokes in this would-be romantic comedy for the ’90s fall mostly short of being funny, the characters…
Un Air de Famille, directed by Cédric Klapisch (While the Cat’s Away) from an original play by Agnès Jaoui and Jean-Pierre Bacri, is enormous fun, and I highly recommend it if you are lucky enough to find it opening in your neighborhood. Denis (Jean-Pierre Darroussin) is having affair with Betty (Miss Jaoui) while working for…
Beyond Silence, directed by Caroline Link, is one of those tremendously worthy films that deal with handicap and that one had better not say anything bad about because of their great sensitivity and caring. But they illustrate a saying of George Lucas, the director of Star Wars etc, that “emotionally involving the audience is easy….
All Hollywood agrees that anytime someone makes a movie about TV or the media culture it is ipso facto a serious picture. And a picture — like, for instance, Natural Born Killers — which hasn’t a serious bone in its body can be instantly transformed into a serious picture by the addition of a “satirical”…
Dirty Work, directed by Bob Saget, is utterly without redeeming features: boring, stupid and unfunny. Even my two sub-teen boys thought it was bad, and worse than that movies like this do not get.
So let me get this straight. The sleazy boyfriend (Viggo Mortensen) of the stunning sex- goddess Gwyneth Paltrow, an unhappy wife with a hundred million dollars in her butter-and- egg jar, is going to use this desperate woman — as he has used many desperate and lonely women before — to make half a million…
You knew that Mulan, the latest extrusion from the Satanic Mills of the Disney animation shop, had reached its intended audience when you saw the headline of Janet Maslin’s review in the New York Times: “A Warrior, She Takes on Huns and Stereotypes.” Someone ought to do a study on what it is that makes…
A Friend of the Deceased (Un Ami du Défunt), a Franco-Ukrainian film directed by Vyacheslav Krishtofovich and written—in Russian—by Andrei Kourkov, has a very attractive premiss. Tolia (Alexandre Lazarev), a translator living in Kiev and living a hand-to-mouth, hustling sort of existence not untypical of life in the former Soviet Union, finds that his rather…
It’s a lucky thing for me that Whit Stillman, who is an old friend of the American Spectator, makes such good movies. If he made bad ones, I should have to be diplomatic, but that is a necessity which has yet to arise. I thought his first film, Metropolitan (1990) was funny, clever and charming….
In Les Misérables, directed by Bille August, it is the film itself which turns out to be misérable: thin and poor and wretched and in need of feeding up. The one thing you don’t want to skimp on when you are filming an epic is the epic proportions. August, a fine director of intense and…
