Because I Said So

It is not a particularly original or even, necessarily, interesting observation that marriage, like other symbiotic relationships, is often a matter of complementary pathologies. Or what would be pathologies if they were found in an individual. Benoit Jacquot (A Single Girl, The Disenchanted) has given us a portrait of such a marriage—and not much hope…

Gattaca, written and directed by Andrew Niccol is one of those hokey “futuristic” flicks which is really a form of pandering to a very present-day paranoia. It does not exactly require a huge leap of imagination to project a “not-too-distant future” in which gene-typing has become so swift and reliable that state security will have…

As one of America’s greatest fans of Antipodean film-making, I am sorry not to be able to heap praise upon Oscar and Lucinda by Gillian Armstrong, but I’m afraid it is just too chaotic a film, morally and intellectually, to present us with a pleasing cinematic completeness. I suspect that this is a deficiency owing…

Sofia Coppola has won all sorts of golden opinions for this movie, as has Bill Murray — but nothing happens in it!

I wouldn’t want it to be thought that I was piling on. Anyone who might otherwise have been tempted to see Battlefield Earth will need no discouragement from me to make him think better of the idea. I don’t know if I would go quite so far as the critic who called it “the worst…

The General, written and directed by John Boorman, stars Brendan Gleeson as Martin Cahill, a real-life if legendary Irish outlaw who was assassinated by the IRA in 1994. The film, shot in black and white, begins with the assassination, ordered because Cahill had sold some stolen paintings to the Protestant paramilitaries of the UVF. “They…