Must See
[See “Entry from July 14, 2010” under “My Diary”]
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Boogie Nights has been hailed in advance as a contemporary classic and its director, Paul Thomas Anderson, as the new Tarantino. Well, maybe. But where I could see in Pulp Fiction and others of Mr Tarantino’s early works what all the fuss was about, even if I was a bit skeptical, in the case of…
The Real Blonde by Tom DiCillo shows as much promise as his first film, Living in Oblivion of 1995. Both are very funny, but both are rather inward looking — obsessed with movie making and acting — and both somehow fail to hold together very well. The Real Blonde, in fact, is like a collection…
Fools Rush In by Andy Tennant offers us mildly engaging characters and an even more mildly witty screenplay but cannot escape the clichés of its plot—which, when you boil it down, is nothing more than the old work-family conflict. All this romance—and there is a potential romance here of some charm—only so that yet another…
Do old people still fall in love? For sure. But does anybody really want to watch them doing it?
Fierce Creatures by Robert Young and Fred Schepisi brings together again the four principal actors of A Fish Called Wanda, though not in their characters from that film. This is quite a different story—about an Antipodean tycoon presumably based on Rupert Murdoch called Rod McCain (Kevin Kline) who takes over a small zoo in England…
Double Jeopardy, directed by Bruce Beresford, is the latest example of what is coming to be one of Hollywood’s favorite new genres: the female paranoia movie. Like The Astronaut’s Wife of a few weeks ago, it deliberately sets out to exploit the sort of insecurity that has become endemic, in some ways the most destructive…
