Must See
[See “Entry from July 14, 2010” under “My Diary”]
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Near the end of Black Orpheus (Orfeu Negro), Marcel Camus’s masterpiece of 1959, there comes what can only be described as an authorial disclaimer that strikes the film’s one seriously false note. “The happiness of the poor is the great illusion of Carnival,” we are told, more or less out of the blue. Up until…
Earlier this year, in a review of Panic by Henry Bromell, I observed that it was possible to appreciate a film which is an impressive bit of propaganda for a political position with which you profoundly disagree. Just think of Leni Riefenstahl’s The Triumph of the Will. Nowadays, the most assiduous ideologues among film-makers are…
Even the kids who love this stuff might want to start thinking about putting away childish things
The English version of the title of Amores Perros, written by Guillermo Arriaga and directed by Alejandro González Iñárritu, is given by its distributors as Love is a Bitch, though this seems to be something of an unhappy compromise, suggesting one of those assembly-line romantic comedies cranked out by Hollywood to exploit the fame of…
Fierce Creatures by Robert Young and Fred Schepisi brings together again the four principal actors of A Fish Called Wanda, though not in their characters from that film. This is quite a different story—about an Antipodean tycoon presumably based on Rupert Murdoch called Rod McCain (Kevin Kline) who takes over a small zoo in England…
Cynical satirist Kevin Smith tries One From the Heart — with predictably dire results
